This Floating Excrement Was Way Too Symbolic! These Are the Television Letdowns of the Year.

Looking back, we consider the TV landscape of the recent year, a selection of series emerge not for their brilliance, but for their spectacular shortcomings. Ranging from cringe-inducing sequels to confusingly poor documentaries, here are the programmes that left us scratching our heads or simply reaching for the remote.

The 'Sex and the City' Sequel

Where to begin with this divisive follow-up? Plagued with dreadful scripts, cringe-inducing character development (justice for Miranda!), and a mere 71 seconds of beloved Samantha, the show struggled to justify its existence. Briefly, as the final season began, it seemed as if it had finally hit its stride. Then arrived an installment centered on Seema’s natural deodorant. No wonder the showrunner announced this would be the final series. It ended on a bum note; the lingering shot of Miranda’s toilet full of poo was simply too symbolic. Yet, fans certainly found joy dissecting every single “what on earth?” episode. And as Carrie – once again single – danced around her sprawling townhouse to Barry White, who didn’t let out a small sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? Of course she can’t.’

But that was almost the smallest of this drama's issues. The subject of a exceedingly uncommon zero star review, it was hard to know where to start enumerating the problems. The hilariously wooden writing? The tedious glorification of affluence and materialism? The almost wilful procession of tropes? Performances so poor they felt borderline spiteful? Suffice it to say “all of the above” and forget about this series again. Except, a second season has been commissioned, so we’re probably going to have to.

AKA Charlie Sheen

Considering the restraining orders, domestic violence claims and parental failures, it’s fair to say Charlie Sheen has been a troubled figure. Not you’d truly have gleaned it from this three-part docuseries which smirked its way at Sheen’s various episodes of self-destructive excess while struggling to tell us a single thing we didn’t already know. Rather, it felt as if this loose cannon was being indulged, so any pity this series might induce should be saved for the people who have had to endure proximity with this charming but flippant narcissist.

The Supercomputer Drama

Of course we knew it was ridiculous from the get-go: a thriller about a AI known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We persevered out of pure admiration for its leads … but by the end, it felt like even they had given up trying. One barely reacted when his character died, and the other ultimately slicing Charlie with an axe … in super slow-motion. That's what you call giving up the ghost.

MobLand

Dodgy figures convening in deserted boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and demands its gangland drama back.

Actually, that is unfair on the crime shows of the late 90s. Many seem a little old-fashioned now, but at least they didn’t endure the ignominy of having to accommodate baffling dialects. But there were plenty of other problems. Mainly that it was just profoundly dull; a conflict over narcotics territory between various London rogues which felt rather simplistic.

The Meghan Markle Series

Given the extent to which she provokes the ire of certain performatively enraged commentators, it’s almost tempting to applaud the Duchess of Sussex’s various forays into quaint lifestyle as intentional statements. But then you watch them and are forced to concede that in this case, they may have a point. It’s like watching a homeware magazine animated; a poster for wine o’clock with ideas of grandeur; a procession of sleeping dogs, humming beehives, Hallmark sayings and pointless crafting “hacks” you’ll not remember instantly. All underpinned by immense, mostly undeserved wealth. Ugh.

Victoria Beckham

There are clearly fascinating things to be said about regarding Victoria Beckham and her struggles with career, self-image, self-worth. But for some reason, this three-part series chose not to say them. Instead, the viewing was like reading a sales brochure. She obviously has every right to resent what she describes as her “miserable cow” image. But unfortunately, she didn’t do herself any favours with this cagey letdown of a series.

The Game Show

It had the potential to be the next cultural phenomenon – except even camper, with a glamorous star as a deceased benefactor and a well-known personality managing her inheritance. What more could you ask for? As players battled it out, there was plenty of betrayal and arguing. But the rules quickly became incomprehensible: it’s even now too confusing to explain what precisely was happening. Even more disappointingly, we only saw glimpses of the star via filmed videos. The series ended up smelling of a programme that was trying way too hard to live up to something way beyond it.

The Lena Dunham Romcom

How do you succeed a show that defined a generation? The pressure was immense for this starry romcom about Jessica, a hopeful New Yorker who arrives in London with a shattered romance. The star took her biggest role by the horns and was joyous to watch, embodying Jane Austen levels of romantic ideals. But it was all very slick and, ironically, was not enough. Plus, the sheer amount of famous cameos involved felt icky.

The Sketch Show Return

Not even good enough to be ‘patchy’.

Given the shrewd inclusion of gifted younger comics, expectations were high. But unhappily, most of it didn’t land. A recurring sketch was a one-note joke stretched to a husk but repeated in every episode. One star seemed too ready to slip into a familiar ranting mode. The behind-the-scenes sketches, meanwhile, simply provoked the idea that they should probably have remained in there a bit longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much exclusively presented the perspective of Amanda Knox. So, while there probably is an interesting drama to be made about the horrific 2007 murder, this isn’t it. The subject matter needed to be handled sensitively. Rather, the series struggled painfully to find the right voice, lumbering from oddly jaunty, slightly mannered farce to ultimately, real-life horror. Complex? Perhaps. A complete mess? Very much so.

The Maths Genius Thriller

We admire the star … but did we believe him playing the most brilliant maths genius since, a man so smart he’s on the brink of a discovery that could ruin society? No! This international thriller about secret services spying on – and killing off – academics frankly got more absurd by the second. Silliness-by-numbers.

1000 Men and Me: The Bonnie Blue Story

This hagiography followed the content creator notorious for sexual escapades as she undertook her biggest challenge yet. What on earth would possess her? What we craved was way more interrogation of her true psyche, plus those of the men in the line. They could at least have spoken to the legendary mum who appeared to haul her son out of the queue. What we got was horrific imagery and absolutely no interrogation of her infamy whatsoever. It's staggering to consider, the filmmaker has a teenage daughter too.

Juan Moore
Juan Moore

Arjun Patel is a seasoned technology consultant with over 15 years of experience in digital strategy and enterprise solutions across the UK and Europe.